Free Ebook Ketzel, the Cat Who Composed, by Leslea Newman

Rabu, 06 Mei 2015

Free Ebook Ketzel, the Cat Who Composed, by Leslea Newman

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Ketzel, the Cat Who Composed, by Leslea Newman

Ketzel, the Cat Who Composed, by Leslea Newman


Ketzel, the Cat Who Composed, by Leslea Newman


Free Ebook Ketzel, the Cat Who Composed, by Leslea Newman

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Ketzel, the Cat Who Composed, by Leslea Newman

From School Library Journal

PreS-Gr 2—Musicians and cat lovers alike will enjoy this charming picture book based on a true story. Moshe Cotel, a young composer, lives alone in a busy, noisy city, but "Everything he heard was music to his ears." One day he discovers Ketzel, a tiny, black-and-white kitten, on the street. He holds her tenderly to his chest and declares, "I will take you home, and we will make beautiful music together," prophetic words, to say the least. When Moshe receives a letter from the Paris New Music Review about a contest to write a composition of 60 seconds or less, try as he might, he is at a loss. Then, Ketzel creeps across the keyboard, inadvertently accomplishing what the composer could not. "Moshe grabbed a pencil and jotted down exactly what he'd heard…. 'Your composition has a clear beginning, middle, and end, is full of heart, and takes exactly 21 seconds to play. Ketzel, you're a genius!'" The feline's "Piece for Piano: Four Paws" wins an honorable mention, and its furry composer actually attends a performance. The watercolor, gouache, and pencil illustrations depict a busy city, a sympathetic bearded musician, and a simply adorable protagonist. VERDICT A delightful read.—Barbara Auerbach, New York City Public Schools

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Review

Based on a true incident, this delightfully told story is unlikely and adorable in equal parts. Bates’ watercolor, gouache, and pencil illustrations feature an un-anthropomorphic kitty whose inquisitive and quizzical nature will be familiar to all cat owners. The author’s note offers all the answers readers will want. An absolute charmer!—Booklist (starred review)Newman’s great affection for her subject is evident, yet she never crosses into cutesiness or sentimentality; her reportorial tone is a perfect match for her down-to-earth, generous hero. Bates, working in hues of parchment and gold, produces some wonderfully warm vignettes, pushing the graceful realism of her watercolor, gouache, and pencil drawings just enough to add a glint of magic to a story that’s already one of a kind.—Publishers Weekly (starred review)This adorable account is as warm and fuzzy as Ketzel herself and all the sweeter because it's based on fact. The watercolor, gouache, and pencil illustrations suit the text perfectly, delightfully capturing Ketzel's furriness, the story's charming, lively energy, and Moshe and the "composer's" loving friendship. Truly, the cat's meow.—Kirkus ReviewsMusicians and cat lovers alike will enjoy this charming picture book based on a true story...A delightful read.—School Library JournalCharming.—The Wall Street JournalA gifted writer and illustrator join forces to craft a charming picture book based on the true story of composer Moshe Cotel and the cat who became famous for her piano composition...—The Buffalo NewsThis charming vignette is based on a true story, which encourages readers to suspend disbelief to enjoy a quirky plot and wonderful illustrations...Recommended for the picture book crowd and cat lovers of all ages.—Jewish Book World (starred review)

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Product details

Age Range: 5 - 8 years

Grade Level: Kindergarten - 3

Lexile Measure: 730L (What's this?)

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Hardcover: 40 pages

Publisher: Candlewick (October 6, 2015)

Language: English

ISBN-10: 076366555X

ISBN-13: 978-0763665555

Product Dimensions:

9.5 x 0.4 x 11 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#473,685 in Books (See Top 100 in Books)

Beautifully illustrated and a sweet story. If your child loves cats and loves playing the piano thenthis is the right book. I was struck by the beautiful,imaginative and charming illustrations.My grandson loves(if repetitive reading is any indication)it.A lovely book.

This delightful picture book based on a true event is the winner of the 2106 Sydney Taylor Book Award for Younger Readers.Leslea Newman tells the story of the cat who ran across the piano keys of her owner, a composer who wrote down the melody, submitted it to a contest for compositions no longer than one minute, and won Honorable Mention for it. The illustrations by Amy June Bates beautifully reflect the time period and the mood of the story.

Oh, this is a top-notch book! Children LOVE it, and it's great fun for the reader as well. A lovely story with beautifully imaginative illustrations that glorifies music and, appreciation for quietude...it's a treasure. I'm a librarian and the children want to hear this book repeatedly, and check it out again and again. A wonderful gift, and if you're a librarian, buy TWO!

My son read this book in his class and begged me to get it. I read it the first time with him and was so excited that he wanted to read a book that wasn't about superheros or dinosaurs. This is an amazing book and I highly recommend!

Adorable little book about a composing kitty and her owner. Gorgeous illustrations with a great story.

This has to be one of the sweetest books ever written. Based on a true story, Ketzel is a must-read for young cat-lovers everywhere!

My students like it

Bought for a 7-year old girl who loves cats and is learning to play the piano. She was ecstatic, and loves the text and pictures.

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Ebook Download The Orthodox Church: An Introduction to Eastern Christianity

Selasa, 05 Mei 2015

Ebook Download The Orthodox Church: An Introduction to Eastern Christianity

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The Orthodox Church: An Introduction to Eastern Christianity

The Orthodox Church: An Introduction to Eastern Christianity


The Orthodox Church: An Introduction to Eastern Christianity


Ebook Download The Orthodox Church: An Introduction to Eastern Christianity

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The Orthodox Church: An Introduction to Eastern Christianity

About the Author

TIMOTHY WARE, His Excellency the Most Reverend Metropolitan Kallistos of Diokleia, was Spalding Lecturer of Eastern Orthodox Studies at Oxford University until his retirement in 2001.

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Product details

Paperback: 368 pages

Publisher: Penguin Books; 3rd Revised edition (October 6, 2015)

Language: English

ISBN-10: 014198063X

ISBN-13: 978-0141980638

Product Dimensions:

5.1 x 0.8 x 7.8 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

192 customer reviews

Amazon Best Sellers Rank:

#32,261 in Books (See Top 100 in Books)

As I and my family continue our inevitable pivot toward Orthodoxy, I have been reading more works on, you guessed it, Orthodoxy. This book, by the English theologian Timothy Ware, who as a bishop uses the baptismal name Kallistos, is a classic introduction to Orthodoxy. It was first published in 1963 but has more recently been revised, so it is fully up to date on history—and doctrine has not changed in Orthodoxy since 1963, or 963, for that matter. I’ve actually owned the book for several years, but have only now read it, having been told by several people that it is very much worth reading. And they were right—it is an excellent book.People in the modern West, even Christians, are largely ignorant of Orthodoxy. The Orthodox, to some extent at least, return the favor—Ware notes that Robert Curzon, a well-traveled English baron, in the 1830s was “disconcerted to find that the Patriarch of Constantinople had never heard of the Archbishop of Canterbury.” (He was not the Curzon who was Viceroy of India at the turn of the twentieth century and regarded as England’s greatest expert of the time on the Orient, though I imagine they were related somehow.) In the twentieth century and today, with modern communications and emigration, the Orthodox have become somewhat more prominent in the West—especially in America, where large numbers of Orthodox immigrants have established their own churches. Ware’s book is an attempt bridge the knowledge gap for Westerners.The first two-thirds of the book is a detailed and well-written history of Orthodoxy. Ware begins, naturally enough, with a definition of Orthodoxy: “the Christians who are in communion with the Ecumenical Patriarchate of Constantinople.” This excludes Roman Catholics and Protestants, of course, and also the Oriental Orthodox—the Church of the East, today rabidly persecuted by Muslims in places like Syria, and the Monophysite Churches, such as the Coptic Church in Egypt. He also explains the organization of the modern Orthodox Church, which is complicated, but basically boils down to “a family of self-governing Churches,” all in communion and which, in theory, decide any disputed questions by convening in councils. There is therefore no equivalent to the Pope, something that is turning out, after all, to be a feature, not a bug.Ware discusses the seven general councils, the last one in 787, which determined the outlines of mainstream Christian beliefs. Naturally, since the Great Schism, the breach between Orthodoxy and Roman Christianity, is traditionally dated to 1054, these beliefs are shared by all Roman Catholics, and by many Protestants as well. As remembered today, the most critical issues related to the nature of God in Christian doctrine, though many other matters were also decided at these councils. For Orthodoxy, another critical matter was the treatment of icons, which are more central to worship than are images in the West. Ware identifies iconoclasm with the ever-present Gnostic temptation in Christianity to denigrate the physical world as inferior and to be superseded in ages to come, whereas Orthodox (and all correct Christian) belief is that the material world is “very good” in God’s eyes and is itself ultimately to be “redeemed and glorified.” All this was hammered out within the framework of the (Eastern) Roman empire, of which Ware and other Orthodox tend to have a highly favorable view. The traditional Western view is more negative, conditioned by Roman Catholic hostility and Edward Gibbon’s bigoted, dubious history, and tends, on a political level, to denigrate the Empire as Caesaropapist—that is, with the state dominating the church. Ware, at least, sees it as a symbiotic, cooperative, relationship, and he (along with many Orthodox, I suspect) sees Byzantium at its height as, if still far from an ideal society, the closest Christendom has gotten to one.Next Ware narrates the complex events leading up to and following the Great Schism, covering everything from the theologian Saint Photius to the Normans in Italy to the Crusades. Interesting information, particularly showing contrasts to the West, frequently crops up, such as the continued prevalence and prominence of lay theologians in the East, where the secular education system had not collapsed as it had in the West. Interspersed in this history is quite a bit of doctrinal discussion, such as details of the Hesychast Controversy, and the related distinctions made in Orthodoxy between God’s essence and energies, a topic that overlaps with the Scholastic innovation of univocity. Later chapters cover, among other matters, the conversion of the Slavs, with a long and fascinating narrative about the Orthodox in Russia, and then detailed coverage of the twentieth century, a time of trials for the Orthodox (and renewed conflict between Orthodox and Roman Catholics in the Balkans, unfortunately). Along the way, Ware also covers the precise current organizational structure of the Church (who knew that Finland was part of the Patriarchate of Constantinople?), and similar administrative matters, both in theory and practice.The Orthodox, with justification, have a dim view of the Crusades, especially the Fourth, but Ware does tend to elide important details running counter to that narrative, such as that the First Crusade (in 1095) was largely a response to a specific request for aid by the Byzantine Emperor Alexios I Komnenos, after a series of brutal defeats at the hands of the Turks, beginning at the Battle of Manzikert in 1071. In his complaints about the Crusaders, some of which are wholly legitimate, Ware even uses as fact the claim by Raymond of Argiles after the capture of Jerusalem in 1099 that “men rode in blood up to their knees and bridle reins.” You often hear this quote trotted out; I remember Bill Clinton doing so after September 11. Its modern use is to shift the focus from today’s Muslim atrocities to claimed thousand-year-old Christian ones, as if those were equivalent, or rather the latter far more important. Its earlier use, before the age of global Muslim terror, was to attack Roman Catholics and Christianity generally; it appears in atheist Enlightenment tracts. No doubt, as in all medieval wars, lots of people were killed by the Crusaders. But the quote itself is merely a metaphoric citation to Revelation 14:20, describing the end of the world and the slaughter by angels of the opponents of Christ, “And the wine press was trodden outside the city, and blood flowed from the wine press, as high as a horse’s bridle, for a distance of about two hundred miles.” That is, Raymond of Argiles wasn’t puffing himself for the number of people killed, but comparing the battle to the End Times. Oddly, I have never seen this basic fact noted anywhere, though I must have seen the quote itself a hundred times. Ware also relies heavily on biased and outdated sources like Steven Runciman, which undermines what he has to say.Still, the Orthodox aversion to the Crusades is understandable. But what is less understandable is the relatively gentle touch Ware gives to Muslim conquest of the East and the subsequent destruction of most of Eastern Christianity, which seems like a much larger imposition on the Orthodox than were the Crusades. On the other hand, at least Ware quotes an Englishman visiting Constantinople in 1677, “It doth go hugely against the grain to see the crescent exalted everywhere, the Cross stood so long triumphant.” (With any luck this exaltation can be reversed in the near future; as Europe careens into a ditch, aggressive renewal is as likely an outcome as permanent decline of the West, which might provide an opportunity such as, for example, Russia returning to the excellent goal of conquering Constantinople.) Ware also notes the truism that although direct violent persecution of Christians was intermittent under Islam (though certainly frequent enough to keep the Christians in their place, and Christians were always required to be subordinate or face death), what ultimately caused most conversion to Islam was simply the financial and social benefits accruing to Muslims—martyrdom inspires, social debility does not. Moreover, it is not really the Ottomans’ fault that their system of treating religious leaders of Christians as being simultaneously ethnic leaders has led to a long history of unfortunate intertwining of the two roles among the Orthodox, as well as corruption and ethnic chauvinism among the different Orthodox churches that were under Ottoman rule (i.e., all of them, except the Russians). But the Armenian genocide rates not a word, probably because the Turks, on whose land (for now) the Ecumenical Patriarch must live, don’t want to hear about their recent slaughter of Christians. On the whole, therefore, Ware lets the Muslims off far too easy, something that seems very common among the Orthodox.In several places, Ware points out the tendency of the Orthodox toward slowness of action, of any type. This is partially organizational, the nature of conciliar decision making, and partially simply a trait that in this age of liquid modernity has so far been immeasurably beneficial (though I doubt if the Orthodox will be wholly immune to this corrosion in the wars to come—and, in fact, Ware himself was seen to be hedging his bets on homosexual “marriage” earlier this year). The downside of this is that those not fond of action are also those less likely to accomplish things, which is, perhaps, why it is the Roman Catholics of the West who made the modern world, followed by the Protestants. The introspective nature of Orthodox practice and theology, focused on unchanging ritual, does not lend itself to crusade or, perhaps, to the drive that pushes humanity forward. That begs the question, of course, whether pushing humanity forward is a good thing, or, instead, the monks of Mount Athos have the right of it. But for someone like me, who likes rockets to Mars, and beyond, the spirit of the Jesuits (the seventeenth-century ones, not today’s ones), or of Cortes, who “conquered Mexico for God, gold, and glory, and only a mundane imagination would distinguish these impulses, for they were one and the same,” is beneficial to humanity, and that is not really found among the Orthodox. Maybe there is a synthesis to be had, but I suspect that what makes the Orthodox who they are would not survive an attempt to make them more active and outward-looking.The latter third of the book is doctrine, which, like the first part, is excellent. Here various Orthodox practices that contrast with their Western analogues are noticeable, especially the emphasis on mysticism over strict rationality, and that the Orthodox are more comfortable with some degree of ambiguity, with not delineating every matter of doctrine specifically. Most differences between Orthodox and Roman Catholics are really matters of emphasis, such as Christ as victim versus Christ as victor, but Ware does an excellent job explaining the importance of certain differences that seem, at first glance, utterly obscure and unimportant, but are really not, such as the “Filoque,” the question (in the Nicene Creed) whether the Holy Spirit proceeds from the Father (the Orthodox position) or the Father and the Son (the Roman position, a medieval innovation). Among other subtleties, Ware notes that the Orthodox belief is that the Roman position depreciates the personal characteristics of each individual member of the Trinity (an effect similar to, though arising differently from, the abominable use of “gender-neutral” language for God). Around that explanation Ware also offers a fantastic discussion of the Trinity itself. He further discusses the importance of prayer and ritual, the rejection of Quietism, the specifics of ritual, and much more. And he notes the crucial Orthodox emphasis on theosis, the goal of divinization, of ultimate unity with God’s energies (though not His essence). He ends with a plea for reunion of Christians, something devoutly to be wished, but which looks even less likely nowadays, given the corruption of most Western Christians—though maybe the focus should not be on the West, but on the rest of the world, and what can be done there. We will see soon enough, but either way, my bet is that Orthodoxy will have a much more prominent role in the immediate future of the world than it has played in the past thousand years.

This overview of the Orthodox Church is extremely accessible and provides a thorough explanation of the Tradition and the richness of Orthodox faith. For lay members of the "western" churches, this book pulls back the veil of mystery, and the final chapter describes in wonderful detail the opportunities and obstacles for reunification of all our traditions into "one holy, catholic and apostolic Church."

This original version is the version to read. The new version is full of speculation and error, when the first version got it right. Read this one as a good introduction to the Orthodox Church, the original Christian Church.

If you are wondering about the Eastern Orthodox Church, this is THE book for you.It explains the history and dogma of this very interesting, to me, religion.The Orthodox Church is not Roman Catholicism without the Pope.This well written book explains that in great detail.I feel enlightened.Thanks.

Great Intro to the Orthodox Church and the history, both doctrinal and historical. The essence of Orthodoxy is captured in a well written and lucid text. The spirituality of the author and of the Church/Tradition/Saints spills out from many of the pages. Bishop Ware is both intellectual and spiritual, a rare combination--perhaps more rare in the West than in the East (Orthodox Church). The book is also a wonderful window into the more than a 1000 year old Byzantine Christian Empire and civilization.

This is a good survey of the faith, history and development of Eastern Christianity as it took shape among the Orthodox. It covers the early developments in Christianity through its first 8 centuries of common development and the 7 Ecumenical Councils recognized by most Christians (East and West, Catholic and Protestant) that settled basic doctrinal controversies in the Christian faith. About half the book traces the history of the Church, the East/West split, and the spread of the Orthodox faith beyond its historic centers in the eastern Mediterranean to the Balkan peninsula, eastern Europe, Russian and beyond down to shortly after the breakup of the Soviet Union. It introduces many key figures who are largely unknown in the western Church. I discusses key doctrinal emphasis and practices in Orthodox Christianity and gives a sense of the more "right-brained" approach to these in the East. The Eastern approach to worship and its key elements is well covered. It written in a readable style from the perspective of an "insider" for the benefit of those who are not, as well as laity who want to know more about their own tradition. It is a good introduction for college-level study or persons interested in religion.

Nice book providing an overview of history, organization and founding beliefs of the Christian Orthodoxy. It's well written and easy to read. Also, the book is structured in a way that you can simply read only the topics that are of interest to you. I would recommend it to anyone inside and outside of the Orthodox church as a brief reference book. Also, if you already have previous edition and you're not especially interested in a brief overview of historical developments in past 20 years, there is no need to buy this new edition.

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